Three rooms, each built for a different part of the record.

Our largest recording suite, set up for tracking sessions that need room to move.

At 150 sqft, the booth has space for larger setups and multiple performers, while the 160 sqft control room keeps the producer and engineer close to the take. It is the room to book when a session is about capturing a performance as it happens.

Signal runs through a Manley Core or an AMS Neve 1073 SPX preamp into Prism Titan conversion. Genelec 8341A monitors paired with a 7360A subwoofer give a full-range picture, so low-end decisions can be made during tracking instead of being left for the mix.

A focused, compact suite for vocals, overdubs and voice work.

Studio B pairs a 125 sqft control room with a 75 sqft booth. The smaller footprint suits single performers: lead and backing vocals, instrument overdubs, dubbing and voiceover sessions.

The chain is kept short and clean. A Focusrite ISA One preamp feeds an Apogee Symphony Desktop interface, monitored on Genelec 8340 speakers, so the room runs quickly and sessions stay on schedule.

A dedicated room for mixing and mastering, separate from the tracking suites.

The 165 sqft mix room has no booth. It exists for one job: listening closely and making final decisions on a record. Keeping it apart from the recording suites means mixes can run in parallel with tracking sessions.

Conversion is handled by a Prism Sound Lyra 2, with ADAM Audio A77H monitors for detailed midrange and stereo imaging through mixdown and mastering.